I will say that tears streamed down my checks at the end of Plague Tail: Requiem. I had problems with the game's bleakness and the contrived nature of some of its story, but I did relate to Amicia and her struggle to let go. Requiem is one of the prettiest games I've ever played, so I'm sharing screenshots of its ending. Spoilers, of course.
So I burned out on Juggernaut AI after running it nearly the entire year. Despite recommending the program several times on Pointless Venture, I'm now doing my own thing again. The mental freedom to decide what to do in the gym was the impetus that I needed to keep weightlifting. Focusing on the powerlifts gets boring; I'm overhead pressing a lot more now, along with doing power cleans.
I made this routine up yesterday to avoid doing sets of eight or ten, which I loathe. I call it Running the Hill. Simply, you start with a light weight, do a rep, add weight, do a rep, rinse and repeat until you get to a near max and twenty reps, with no rest in between singles other than the time it takes to change plates. So this was my squat workout:
135, 155, 175, 185, 195, 205, 215, 225, 235, 245, 255, 265, 275, 285, 295, 305, 315, 320, 295, 300.
Once I got to 320, I decided to take a little weigh off, since 320 felt pretty heavy, but I added weight again for my last set. After doing the initial run, you need to get a little more volume, and start on a hill that's not as high, but just as long. So I did 225 for five, 230 for five, 235 for five, and finally 240 for five, completing the workout. I'm sore as hell today, and I managed to do forty reps of squats. I think this little routine is good for the squat and bench, but might be a little too much for the deadlift. Maybe decreasing the hills to ten reps instead of twenty would be a manageable modification.
I had to make myself finish Plague Tail: Requiem. Usually, I would say that’s a damning indictment of a game’s quality; however, in this case, it’s because Requiem is emotionally draining. Nearly unrelenting trauma is inflicted on teenage Amicia and five-year-old Hugo de Rune as they traverse medieval France, searching for a cure to Hugo's supernatural affliction. Hugo suffers from the Prima Macula, a symbiotic illness that spawns and attracts hordes of plague rats, which often burst through the ground or walls in writhing heaps to consume any nearby humans alive. In addition to the rats, the de Rune family must contend with non-stop violence. From angry beekeepers to soldiers just following orders, nearly every adult male in 14th century France is willing to skewer a teenage girl and her little brother. Requiem's heavy bleakness reminds me of the work of Cormac McCarthy, who often fixates on the senseless violence of existence. Hugo and Amicia are convincing characters, who grow increasingly damaged from their exploits, from Amicia having panic attacks to Hugo eventually succumbing to his illness, which is sentient and hungry. Moments to breathe come fleetingly and perhaps not often enough. I felt bad for powering Amicia through all of her torture, to the point where I wondered whether or not I was complicit in it. Ultimately, I was unsatisfied with how Requiem concludes its story. Don't Hugo and Amicia deserve better than this? I asked. To quote Clint Eastwood, "Deservin' ain't got nothing to do with it." Sometimes, you have to let go and surrender to circumstances. Amicia refuses to do so and admirably fights to the bitter end, but by refusing to accept reality, she continues to put her brother and herself through more suffering than any people deserve. So while I didn't necessarily like Requiem's story, I appreciate its thematic elements while wishing it had just a little more compassion at its core.
Gameplay mostly consists of stealth-action, with neither the stealth nor the action being particularly smooth. There were a few sections that I had to replay several times, either due to the game swarming you with too many enemies or requiring more sneaking than I was able to manage. Amicia has a slingshot that she'll upgrade, but most enemies are armored, which necessitates sneaking, distraction, or the crossbow, which only has a few bolts and therefore must be sparingly used. Often, you'll have to manage huge hordes of rats as an environmental puzzle, utilizing torches, flame pots, tar, or some other feature to clear a path. The gameplay, therefore, is similar to a big-budget cinematic game, a la The Last of Us, with a bit more jank and probably a fraction of the budget. Still, Asobo studios does well, especially in crafting their authentic-appearing version of medieval France. This is a stunning title, one that will have you reaching for the screenshot key. Performance was decent on my high-end system, with a few frame drops experienced during wide vistas or rat swarms. Admire the screenshots below.
I recommend Plague Tail: Requiem with hesitation. It will get you invested in its characters, but you'll feel their pain, and whether the experience is worth it depends on your interpretation of their suffering. I can't help but feel as though it would've been a better game had the trauma been reined in substantially.
Warhammer:Darktide is a co-op shooter heavily influenced by Left 4 Dead, albeit with several differences, such as playable classes, loot mechanics, and an unlockable skill tree. Oh yeah, and instead of zombies, you're killing heretics and mutants, enemies of the Imperium or some such. Honestly, I know next to nothing about the Warhammer license, but it seems cool. The techno-gothic empire you serve has a sweet taste in architecture, favoring immense cathedrals and cobbled together apocalyptic shanty-towns brimming with orange skies, their labyrinthine corridors filled with spikes, skulls, and other heavy-metal shit. Darktide is a nice-looking game, featuring a level of detail uncommon in multiplayer-focused titles, and the contents of my screenshot folder increase every time I play. The ray-traced illumination of its industrial factories and sewers comes with a heavy cost, however. With all the graphical options set to High or Extreme, and ray-tracing set to low, I get a frame rate that fluctuates between 100 and 60, with a few drops below, with DLSS upscaling set to Balanced. Bump the ray-tracing up to High, and the framerate drops into the 40s and 30s. Just keep in mind that this is a game that can't be maxed out unless you possess an RTX 4090.
Gameplay consists of working with your four-man team to slaughter hundreds of zombies (heretics, I mean) while traversing the map, working toward the completion of some objective (replace the powercells on a giant chemical dispersion unit, for example), after which you'll beat it like hell to the extraction zone. There are missions that further the story, but I'm not far enough to write about that. My Sharpshooter, a ranged lasergun expert, is at level ten, so I'm still grinding the lower level pickup missions until my gear is good enough for the harder levels. There's something immensely satisfying about slaying hordes of enemies, and although you're limited to two weapons (melee and ranged), the sight of a mutant's head exploding in a shower of giblets is just what I need after a hard day's work to relax. Also, the soundtrack is great, reminding me of Vangelis's Blade Runner score run through an industrial filter.
I would recommend Darktide to any fans of Left 4 Dead or anyone who likes co-op shooters. People with low-end pcs might want to stay away, however, since it's a beefy title. Screenshots below.
This is a song that actually predates Theme Park Mistress. I believe I wrote it in Texas while going to UTA. A power-pop special, with maybe a little eighties hard rock influence. I had trouble with clipping on the vocals during the chorus, so I just distorted them through Reason. Recording vocals is always the hardest thing for me, since I'm not a natural singer, and my recording methods have hardly evolved over the last decade (I'm still using microphones I bought from the Arlington Guitar Center). I tried my best on this mix though. Spent about half a week knob-fiddling (hah). Probably one of my best pop songs.
--So I've been doing intermittent fasting for a couple of months now, and I really recommend it to just about anyone. I've lost maybe a pound or so around my waist, which is nice, but the real benefit for me is better mental health. I don't seem to suffer from the manic moods I've been struggling with for the last couple of years anymore; my over-all mentality is similar to the peace of mind one receives after a meditation session. There are all sorts of dopamine receptors in your gut, and perhaps having a good sixteen to eighteen hours where those receptors aren't being stimulated is good for not just your body but your mind. My energy levels are improved as well, so I think I'll continue skipping breakfast for the considerable future.
--I've been on Juggernaut AI for almost an entire year, and it is, quite simply, the best way to train for me. I can switch around exercises if I wish, but the main lift volume is never changed (although you have the option) and all those sets of eight and ten during your hypertrophy blocks build some dense muscle. Volume doesn't scare me anymore. I do five sets of ten to eight reps all the time, sometimes after doing an RPE set of 10. I really don't see how anyone could fuck up on the AI unless they didn't push themselves or they just gave up. It's nothing fancy, and you could figure it all out on a spreadsheet (block periodization with autoregulation mixed in) but I'll take the app, thank you, and save my time.
--I've never been a tv guy. I used a 42 inch Hitachi for a decade before replacing it with a ONN (Walmart brand) 55 inch 4k. However, the latent consumer whore in my soul has awoken recently, and I purchased an LG B2 55 inch OLED on Cyber-Monday for the sweet price of 999. OLED is a new technology that features great contrast and brilliant color reproduction not capable on your average LED set. Rings of Power looks great; I can see phenomenal detail in the dark scenes. Even 1080p content looks awesome, since the color reproduction is so beautiful. This set also has Freesync compatibility and a 120 Hz refresh rate, although I couldn't find an HDMI 2.1 cable long enough to reach my pc at Walmart, so I settled with a fifteen footer that maxed out at 4k 60 Hz. Even so, Elden Ring looks rich and vibrant and the input lag is almost as good as my monitor. So yeah, good purchase, I guess.
Another ancient song, dating from my days in the Natty. Did most of it in Reason, utilizing keyboards, bass, and a drum loop. The dueling guitars are messy, butting in like two drunken patrons trying to outdo one another. One of my weird lyrical ones. Weird, but creative.
So I've been doing intermittent fasting for a couple months and it's worked well enough, having chipped away at the doughnut I've worn around my waist since I aged into my thirties. I haven't changed my diet so much as I've just skipped breakfast, as well as needless snacking. Doing so sensitizes the body to insulin, and more or less gives you back the metabolism you had when you were younger. What does this mean for Bulksgiving, the greatest of bulking holidays, the American tradition, the pie-eating, turkey-stuffing, mashpotato-popping extravaganza of disgusting gluttony?
Well, hell, that's basically how I eat nowadays anyway. I usually have a huge lunch, and a pretty big dinner, and that's about it. Now, the four or five pieces of apple pie I'm going to consume today isn't standard, and certainly not recommended for anyone trying to decrease their insulin resistance. But you gotta live, brother. How many Bulksgivings do you think you have left? We live in a time of plenty, a gross time of over-indulgence and obesity. Maybe the future will have us consuming a plate of over-cooked green beans instead of the glorious feasts of today. You never know. So keep eating while you still can, big boy. I certainly will.
Prospective menu for today (subject to change):
Half a pound of turkey smothered in gravy.
A substantial amount of mashed potatoes, accompanied by green bean casserole.
One or two rolls, consumed with butter.
Two pieces of apple pie with an excessive amount of whipped cream.
Probably a piece of cherry or pumpkin pie.
A decent amount of seconds several hours later.
This goofy stoner pop song was discovered after spending an hour browsing my music collection for songs to redo. I feel as though I was attempting to channel some seventies singer/songwriter mojo. Was I successful? Yeah, I dunno. I like the electric guitar dubs I do on the bridge and chorus. I had completely forgotten about this song; it was never done during the live days of my band. I will continue to see what else I can drag out of the depths of the TPM catalogue to see the light once more.
I've cleaned up my Youtube channel, taking down a few videos that I'm not happy with. Didn't like the vocal on "I Ain't Gonna Do Nothing With My Life," or the varying rhythm of "Happy Once Again." I haven't taken down "School Days" but there's some sloppy guitar work that I'd like to correct. I'm always time-limited when I record a song, and I'll just want to get it done without making sure all the tracks are to my standards, which aren't unreasonably high, hah. I also removed a few covers that I thought were lackluster--"Crazy," "Boys Don't Cry," and "Judy Is A Punk." It's a shame Youtube doesn't allow you to switch a video. You either have to delete it forever or leave it alone.
I hope to put some of the songs back shortly, given some time. I've always struggled with my voice, which isn't the best. As an amateur, my guitar work is usually sufficient. Anyways, this stuff is important to me, even if it's just a hobby, because I view songwriting as my chief creative outlet nowadays, and I'm pretty proud of what I've accomplished in the garage. I'd like to get back into writing, but the time, man, the time is just not there. I ain't gonna do nothing with my life indeed.
I wrote this song before Theme Park Mistress, way back when I was a sophomore in college. It's just a typical adolescent yarn about hating school, played with an AC/DC stomp. I rerecorded it with just a simple arrangement of guitar, bass, and triple-tracked vocals. That's a picture of my kids in the opening, the little devils.
Every Apple You must accept That you will not pick Every apple Just like you won't Seize every day Sometimes, It's all a waste. B...
