Saturday, January 25, 2014

Why I Lift Weights

Weightlifting has gotten a bad rap, really. When people want to get into shape, they pick a fad program like P90X or some other cardio-based activity that promises results in little time. Running is very popular now, as well as Crossfit, which preaches functional training and all around fitness. All of these activities take effort and commitment, don't get me wrong. You can't get the same results running or doing Crossfit as you can with weight training, however. Endurance-based exercise burns a lot of fat, but it isn't particularly anabolic; I don't need to cite the various scientific data out there confirming my statement because all it takes is a pair of eyeballs. How many runners have you seen with a strong, muscular body? How many Crossfitters have done well in anything other than Crossfit?

The thing with weightlifting is that it's hard. It requires years of devotion and mental fortitude. It requires intelligent programming. If you succeed in getting stronger, it is because you pushed yourself. You have to add weight to the bar. Nothing else really matters. You have to see that progression; you get a dopamine fix every time you witness your squat weights go up five pounds. You can't lift four-hundred pounds in two weeks. You can get in decent running shape in as little as a month. Hell, two years ago, my father enlisted me in Cincinnati's Thanksgiving run, which is about seven miles. I hadn't ran in years, and my only exercise came from my job at the orchard. I ran about six times before the race, and I managed to finish without stopping. Cardiovascular endurance comes quickly. Strength does not.

I've been lifting seriously for almost a year and a half now, and what I mean by seriously is that I've been focusing on the four major strength lifts (the squat, the press, the bench press, and the deadlift) during that time. I remember being sore from deadlifting 135 lbs; my last deadlift workout, I did a triple with 385 lbs. My press has went from 95 lbs to 170; my bench from 190 to 270; my squat from nothing (I didn't do squats) to 305 for 3 reps. My body weight has increased from 175 to 200. The little aches and pains that I used to have (such as a sore lower back) have vanished completely. I'm stronger, fitter, more confident than I ever have been, and that's because weightlifting changes not just your body, but also your mind. I've never missed a workout in a year and a half. Honestly, my progress is not particularly great--I struggled with my squat form for almost a year, and suffered from hip tendonosis and knee pain, but I never quit.

What I really want to convey is that weightlifting is not some meathead, narcissistic activity. It might not be as hip as the latest infomercial or Crossfit. But it is honest. As Henry Rollins said, "the iron doesn't lie." I'm a better person for lifting weights, and it's my belief that there is no better way to stay fit. Strength takes years to develop, and it is the end of all things. So throw away those fancy running shoes and pick up something heavy. Our ancestors didn't prance around the woods, effeminately darting after deer. They sprang up from cover, stabbed Bambi with a spear, and lugged his heavy ass home to eat. So eat meat, lift weights, and be merry. That's my new year's advice. 

Tuesday, January 7, 2014

One-Hundred Obituaries



Two
Angela Lansberry passed away at two o’clock in the morning on a Thursday. Her husband did not permit her to smoke in the house; her desire to light up within the confines of the dwelling that she helped pay for was a constant source of contention between them. Angela was young, only twenty-eight, and had been married for about two years, yet she was already looking for a way to escape her marriage. She did love her husband somewhat, although not particularly strongly, for Luke (that was his name) was a peculiar man prone to silence and stoicism, which suited her just fine most of the time, since she herself was quiet and withdrawn. They both wore a lot of dark clothing and drank a lot of coffee. Luke was a professor of philosophy at the University of Cincinnati while Angela drifted in-between jobs. She had been a secretary at a law firm, a waitress, a telephone operator. Before her untimely demise, she had made a habit of attending a writing workshop on Ludlow Street, for Angela had decided to put her BA in English to use and become a writer. The hardest part, she felt, was finding something to write about. It was hard to have a voice. It was hard to have an opinion.
            Minutes before her death, Angela exited her house, pack of cigarettes in hand, and stood for a moment on her front porch. The neighborhood was quiet, a nice mixed income suburb, although one did hear gunshots every so often from the nearby low rent homes. The houses across the street were nearly identical, varying only in color. A light was on in the house directly across from hers, and she could see a man in front of a computer screen. She had never talked to this man; he was quiet, reserved, slightly unfriendly. She liked to think that he was writing a novel, doing important work, and that one day perhaps they would be contemporaries. Luke was gone, kept away by his hours. She was lonely, feeding off of fumes and wayward ambitions, but that was okay. The concrete steps leading up to the porch glistened in the moonlight, slick and wet in the humid air. She felt cold and drew her sweater around her.
            As she sat and smoked, a big white car rolled slowly down the road, a mammoth Cadillac, its subwoofers booming like the heartbeat of a monster. Angela had never seen such a car, shining and magnificent in the paleness of the night, rims spinning like a hypnotist’s tool, silver, reflecting light. Its windows rolled down revealing darkness billowing smoke. It called out to Angela, this darkness, called her names in some foreign tongue, and though she recognized the harshness of the voice, she was lulled by it, sitting calmly on her steps, smoking her forbidden cigarette. The light in the house across from her flickered out; the novel was complete, the great work finished. Angela thought of her own white pages waiting inside. The car was still paused before her home. She could go back inside or she could enter the vehicle. I want something to write about, whispered Angela, looking at the white car and hearing the voice grow thick and smooth as apple butter. What have I ever done with my life? she asked, the glistening concrete steps beckoning. Something spat out of the darkness of Cadillac; Angela stood and was caught by it, reeled in as though pulled by a string, her black boots clacking on the street. The house behind her was dark, empty, silent, and stoic. It was full of white pages.

  A scuzzy garage-rocker with lyrics referencing some ho-down in the post-apocalyptic wastes. I think this shit's catchy! It's catch...