Tuesday, September 29, 2026

Writer's Block: Heaven

 


Heaven

He opened his eyes and took in the blinding whiteness of eternity.

A second ago he was on his deathbed, hooked up to machines, fading slowly out of consciousness. Now he marveled at his hands, which were not ancient and lined with liver-spots, but smooth and covered with youthful flesh.

“Where am I?” he asked.

Suddenly a woman appeared to him. She was clad in a white suit, and her hair was golden. In her hands, she clutched a tablet, and she favored him with a professional smile.

“How are you, William? Much better, I presume?”

“I’m not an old man anymore,” he replied.

“Yes, that’s correct. You’ve died, and now you’re in the afterlife.”

“I didn’t really believe… why are we in an empty expanse?” he asked.

“Well, you haven’t filled it with anything. Where would you like to be?”

He thought about it for a second.

“Nineteen-ninety six. My grandparents’ farm.”

And that’s where they were. He saw the barn and silo in the background, almost swallowed by trees. Everlasting fields of corn across the road. The old house with the wrap-around porch right in front of him. He walked over and sat on the swinging bench and breathed a long, trembling sigh.

“What about people?” he asked. “Can you bring them here?”

“In a manner of speaking,” she replied. “Who would you like to see?”

“My mother,” he said.

The door to the house opened and his mother emerged. She looked to be about fifty-five, and when she saw him, she smiled and went over and embraced him.

“Mom,” he managed, a tear trickling down his cheek.

“It’s so good to see you,” she said.

“What?” he asked.

“I’ve been waiting, son. Counting the days.”

He looked past her at the women in the suit.

“What have you done to her?” he asked.

“What do you mean, William? I am here with love in my heart.”

“My mother would never say that,” he replied. “I expected you to start laying in to me for the life I lived. Frankly, I expected a slap on the face.”

“I would never do that, son. I have left all my anger and sorrow behind on the earthly plane.”

“She’s correct,” responded the woman. “There is no conflict or negative emotions here. Those are consequences of mortal existence.”

“My mother without conflict is not my mother,” he said. “I don’t want this.”

Instantly, his mother vanished.

“What about things? Can you give me anything I ask for?”

“Sure,” she replied. “What do you want?”

“I want to unwrap a brand-new Nintendo 64 and play Goldeneye 007.”

“Go in the house,” she replied.

He went inside his grandparents’ house. The kitchen was exactly how he remembered it. The island in the center, the animal tile backsplash, the cookie jars on top of the cabinets. He looked around warily to see if his grandmother was lurking in a corner, but the house seemed unoccupied, and he knew it would be unless he wished it otherwise.

There was a boxy CRT television in the living room on top of an entertainment center. He ran across the wooden floors, plopped down before it, and torn open the red box that held the Nintendo. In a few minutes he had hooked it up to the television and started playing video games just as he had as a child. He did so for about fifteen minutes before suddenly putting the awkward controller down and turning toward the woman.

“It doesn’t feel the same,” he admitted. “I was wanting that feeling I had as a kid. That sense of endless wonder and possibility. I don’t feel that at all. I feel like an old man living in the past.”

“I see,” she said. “Is there anything else?”

“Kristen Sanderson. Senior year. In her cheerleader uniform,” he said instantly.

He heard steps coming down the stairs and there was Kristen, golden hair in a pony tail, the white and blue uniform looking as vibrant as it did in his memory. She walked over to him and extended a hand and then looked behind her at the stairs, beyond where the bedroom awaited. Without a delay, he leapt to his feet and bounded up the stairs like an eager puppy. The white-suited woman waited patiently in the living room, looking down at her tablet and checking her watch ever so often. After about ten minutes William came downstairs looking dejected.

“Why is it not the same?” he asked. “I felt like I was making love to a doll.”

“Because you’re just reliving your old life. Or rather, you’re playing fantasy. You can’t really live here,” she explained. “You’ve died, after all.”

“So I’m doomed here?” he asked. “For all eternity?”

She took a minute to savor the expression of abject horror that came across his face.

“Is this really heaven?” he asked.

“What do you think?” she responded.

“Can you send me back?”

“Not as William. You already lived that life, and as you already admitted, you lived it to the disappointment of those who cared about you. They are gone, and you are gone, and now all that is left is a chance at a new beginning. It’s either that or you stay here. Or you can choose the nuclear option and just end it all for the sweet sanctity of nonexistence. The everlasting bliss of the freedom to not be.”

“Can you make me like a Senator’s son?” he asked.

“Nope. It’s purely random. You might not even return as a person. You could be an ant. Or a barnacle. Or a parasite that lives in the intestinal system of a whale.”

“Christ,” he whispered.

“I know. It’s heavy, isn’t it? Like I said, there’s always nonexistence or the simulacrum that is this place. But you know, that’s what makes life exciting. The chance. The randomness. There’s no thrill without the danger. There’s no wonder when you know every possibility.”

“Send me back,” he said. “I’ll do better this time. I’ll be a humanitarian or a pastor. I’ll do something great, something wondrous. I won’t hurt anybody or live selfishly. I promise. Just give me a fair shot.”

She smiled and shook her head.

“Alright, William, if that’s what you truly want. Are you ready?”

“Yes,” he said instantly.

She snapped her fingers and he vanished. For a while she made some notes on her tablet until a door opened in the whiteness and a figure emerged, horned, red-skinned, and toothy.

“Another one, mistress?” it asked.

“It’s amazing how little imagination they have,” she said. “He could have used the powers of this place to create a new world of sentient beings. That’s how the universe was created, after all. But they all just want to be players in a game someone created. They like being puppets on strings. Oh well. Send me the next one.”

Saturday, September 26, 2026

New Music: The Machine

 

Machine Games' Dawn of the Machine expansion for Quake is one of the best games I've played all year, and so I put together this instrumental rock song based off a riff that I've had lying around for quite some time. The Big Muff, stratocaster, and mini-wah are all featured here. 

Tuesday, September 22, 2026

Bad Poetry: Every Apple

 


Every Apple

You must accept 

That you will not pick

Every apple

Just like you won't

Seize every day

Sometimes,

It's all a waste.


Beware

Beware the fascist light

of your inner darkness.

They will take your house,

Steal your paycheck

And shoot your dog.

And when you are alone,

Crying out

"What else could I have done?"

You will know the truth.

You should have done

The right thing.


Lyrics from the Worst Country Song in the World

Buttfucking on a Saturday night

Everything feels alright

Take that snake out of the bush

Stick that mamba in the tush

Monday, September 7, 2026

Writer's Block: The Sylph

 

The Sylph

I walk in the daylight among the rest of you, watching, slinking, moving from tree to alleyway to mailbox to parked car, weaving into the crowd every so often, anonymous, quiet, unseen. I watch people on their phones, watch as they order their coffee, watch as they run down the street. When they speak, I listen and murmur the words to myself in the darkened alcoves, letting them wash over me, the stolen sounds of another person’s mind. No one can bear to look right at me; if they stare they look over me, and so they see nothing, a tramp, perhaps, but more likely an inanimate object, a dumb thing lacking agency and life. When night falls I rummage through the garbage bins, dining on their refuse, their half-eaten sandwiches, their rotten apple cores, lapping up sour milk from grimy cartons that collapse in my hand, their outsides wet and stinking. Afterwards, I go and look into windows and observe the people as they stare at the screens, their faces hollow, their spirits draining into the ether. Sometimes I try the window latch; sometimes I turn the knob on the backdoor. I can come into a house uninvited; I am not a vampire, and the owners have little ownership over vacated space. And so I wander about, turning over couch cushions, looking under chairs, taking dropped change and little things to hide on my body and ponder in the cold loneliness of the morning, when I am away from those who cannot speak to me, who will not see me. I watch them sleep sometimes, hovering above their stretched-out forms, watching as they breathe through their mouths and choke on invisible spiders. It would be nice to sleep, to relax and forget. The little deaths that they are granted are not given to me.

I wonder often about my lot in life, and question why I am not afforded the little pleasures that others enjoy without notice. I have never felt the touch of another; I have never gazed into the eyes of a pretty person, nor have I felt an embrace. My words disappear as soon as they are spoken; my thoughts float away on the breeze, lost on the winds that spawned me. In the countless years I have spent contemplating my nature, I have concluded that I am either a sacrifice given so that others might live, or I am the future stuck in the now, a prophesy given sentience.


The living drift closer to my sphere every day. They have given up on each other; they walk alone, enshrouded in their personal cones of silence. It used to be that I fed off of their conversations, but I now I must lean over their shoulders, staring into their flickering screens, feebly attempting to obtain some nourishment from their solipsistic concerns.
Perhaps they will amuse themselves to death, and they will join me as elemental spirits, and we will all walk, severed from each other, picking through the garbage of the past, as we search for some trace of former identity, some god that will tell us, finally, how to live.


Saturday, September 5, 2026

Video Game Review: Quake: Dawn of the Machine

 

Dawn of the Machine is an official Quake expansion released by Machine Games to celebrate the thirtieth (!) anniversary of the classic shooter. It is, quite frankly, an amazing experience. Utilizing the tech that Nightdive Studios developed to remaster the original game, Dawn of the Machine features architecture that would not have been possible to design in 1996, lest your humble Pentium and 3dfx Voodoo explode. Tying together the three main thematic designs of the original game (Lovecraftian horror; dark fantasy; sci-fi shooter) while greatly expanding the scope of the levels. this is simply the best Quake has to offer. It's hard, too, people, in the way that classic shooters are hard. This expansions throws Shamblers at you like crazy, and you'll often have to manage your ammo to some degree since you'll face much bigger mobs than you did in the original episodes. But the eye candy on display just triggers my nostalgia so hard. Games don't necessarily need cutting-edge graphics when the level designers are so good at creating ambiance with basic dynamic lighting, which is added and heavily featured. Just check out some of these screenshots below. If you have any interest in classic shooters, download the remastered version of Quake (which is free for those who have purchased it in the past) and boot up Dawn of the Machine.

 
















   

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