“The inevitable wake of worlds,” I
say, reading the paper before me. “A wind comes and dashes against us, breaking
bones and stripping skin from tissue, tearing children from mothers’ arms, and
as they stare ahead, their flesh leaving them before their eyes, a whisper
shimmers on the horizon, its promise a funeral change, a trading of one
generation for another, a woman’s heart for a man’s chest, and we take it and
eat it and wipe the dripping juices from our chins, our bellies full, pregnant
with another dull repetition of human means.” The berry eater watches me—I see
him peering through the window, his lips stained purple—but I do not
acknowledge him, I simply place my hands on the desk and look down at the floor
a few feet away. Gibbons starts babbling, his words falling over one another
like drunk sorority sisters, each syllable too unstable to stand by itself.
Chad Arroyo looks at me, his stare not unlike that of the berry eater’s.
“Look!” I scream, pointing at the window, and everyone is silent and staring
now, the berry eater mooneyed and dazed, his visage crumbling through the thin
glass. Gibbons gets out of his chair and approaches, and only when he is a foot
away does the voyeur slink off, vanishing but not disappearing from our
collective memories, not unlike a bad, disturbing dream.
Fiction, comedy, music, pop-culture musings, and other awesome nonsense from a disembodied head floating in the ether...
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